12/16/2023 0 Comments Sick of it all 2022![]() ![]() Fun in the bumps and crud.” Steve scored the ski 5 out of 5 for stability, with 4’s for overall impression, versatility, forgiveness, playfulness, and flotation. Steve Sulin calls the Sick Day 94 in the 179 a “killer ski in the 94 mm all-mountain master category. I would recommend this ski to intermediate to advanced skiers.” There aren’t going to be a lot of skiers who are in this market that will max out the ski, but it is important to know that it is there if you’re searching for it. The ski was relatively stable but the tips did chatter a bit at higher speeds. “This is a great ski for folks that want an all-mountain ski with good floatation and edge hold in a slightly more forgiving platform. Take that for what you will, it’s still getting all 3’s and 4’s, which is right on track with what an all-mountain versatile ski should be. Jake scored 4’s for flotation and stability, with 3’s lining the rest of the card. Jake Whitlock also skied the true-to-size 179, and he, interestingly, had flipped scores from Matt. From steeps and trees to bumps and groomers, the Line Sick Day 94 can truly do it all. It works, and when combined with the positive camber underfoot, the skis get a ton of energy and a great kick at the end of the carve. Capwall, as they call it, is a blend of vertical sidewall and cap build, and this blurs the line between a ski with a solid edge grip like a race ski and one with a quick and maneuverable upper half for varied turn shapes and styles. The interesting thing in this ski is the use of a partial/half cap construction. Built with an Aspen wood core and carbon stringers, the Sick Day 94 has a strong start. We talk a lot about these mid-90's underfoot skis and their ability to do a little bit of everything quite well, and these Sick Days are no different. These skis have a top-gear that’s difficult for a lot of skiers to reach, and a lower-end that makes them friendly and approachable for a wide variety of skiers. We’ve seen these Line skis, and especially the Sick Days, get underestimated time and time again, and quite frankly, we’re sick of it. Its sales are overseen by Memento International.In the middle of the Sick Day line, the 94 is a well-rounded, well-oiled all-mountain machine that is a lot stronger and quicker than it lets on. Sick of Myself was produced by Norway’s Oslo Pictures and Sweden’s Garagefilm International. Ultimately, all the craziness really comes down to one question that everyone is asking themselves way too often, whether they realise it or not: “Are people asking about me?” It would be easy to laugh it all off – call it extreme – but there are parts in this film that are almost too recognisable for it to be in any way comfortable. ![]() Chances are, that nerd had the exact same plan. It’s an interesting exploration of how far one can go in order to get noticed, and what for, exactly? For “56 messages and a few visits” or an article that doesn’t even go viral because some “fucking nerd shot his whole family”. “Narcissists are the ones who make it” is a sentence that used to be repeated all the time over the course of the last US presidency and is making a comeback, but Borgli would rather see them fail. If your partner doesn’t immediately notice you are covered in blood, regardless of whether it’s your own, something is profoundly wrong. But it’s very much a relationship tale, about two people who should support each other but who secretly want to play the lead and are laughably self-centred. Soon, it will be possible to write entire essays about “the revolutionary aspect of unlikeable female characters in movies” based solely on her parts, which are complex, engaging and funny. Cronenberg might have just claimed that “surgery is the new sex” in his Cannes entry Crimes of the Future, but this is the one film that nobody saw coming.įilm profile], a romantic comedy about a young woman who really, really doesn’t want to be pregnant, this marks another great part for Kristine Kujath Thorp. It’s a risky move, as arthouse crowds tend to be squeamish, but it also makes it rather unforgettable. What initially looks like a pretty Nordic dramedy with a pretty Nordic cast – produced by the team behind The Worst Person in the World, no less – turns into body horror thanks to prosthetic make-up designer Izzi Galindo, with Signe’s face going full Toxic Avenger. Shown in Cannes’ Un Certain Regard, it’s either the funniest tragedy at this year’s festival or its most tragic comedy. And that’s probably its single scariest – or sickest? – part. Kristoffer Borgli’s Sick of Myself is the sort of story one starts to hate, only to realise that whatever these people are doing is actually easy to understand. ![]()
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